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Saturday, October 20, 2012

Adventures in Running: The 2012 Portland Marathon: 10.04.12


And so it begins
By mile 13, as I was running down NW St. Helens Rd., I was feeling pretty good.  My legs felt heavy, but my mind was clear and I was determined.  26.2 miles felt doable.  I was pleased that I was able to run a half marathon without walking.  This was a major accomplishment for me.

I was running at a 5 mile per hour pace—slow by most marathoner’s standards—but good for me.  I knew I was slow and I knew I needed to kick up my speed in my training.  But I was also fearful about injuring my left foot again, an odd injury where one of the bones around my ankle (what would be the equivalent of wrist bones in the arm) was swollen.  Not broken—swollen.  Let me tell you, a swollen bone hurts just as much as a hairline fracture (I’ve had one of those , too).

So I was slow.  And getting slower.

At 1 hour, I’d covered about 5.5 miles.  At 2 hours, a little over 10 miles.  But at mile 15, I was about a half mile behind schedule.  Looking back, I realize I started out too fast, for me at least (one of a few strategic and tactical errors for me).  The Portland Marathon had started at 7:00, but my wave didn’t cross the starting line until about 7:19AM.  The early morning was windy and cold—perfect weather for running.  At 10:15AM, 3 hours later, at mile 15 the day was getting warm.  When I hit mile 16, 3 hours and 18 minutes into the race, still running north on NW St. Helens Rd., with the St. John’s Bridge that marked mile 17 far in the distance, me low on water, my legs burning and my head filled with doubt, experiencing that spongy warm/cold feeling that suggests overheating—I stopped running.

I made the decision to walk for the next mile.  I thought that would refresh my legs.  However, what is between mile marker 16 and 17 is a hill that takes you 150 feet up to the entrance of St. John’s Bridge.  That may not seem like a lot, but stretched over a very short distance, it’s actually quite steep.  Now, I live on a very hilly island, so I train on hills all the time.  But not usually after running 16 miles.

This is my big, shameful admission.  Before running the Portland Marathon—my first marathon—I’d never run farther than 13 miles.  It’s a mental barrier I’ve struggled with.  I love to run, but get bored with the longer runs.  They take up too much time.  I’m too slow.  And I get all wrapped up with my own doubts during the run and resistance to starting the run.  This is why I keep running: to overcome these doubts and to master my mind and overcome my limitations.

Between mile markers 16 and 17, I had a few things working against me:  I’d never run this far before and then charge up a long steep hill on a warm, cloudless day.

Approaching mile marker 17 on St. John's Bridge
By the time I’d made it to the bridge, my legs and feet were hurting, along with my pride.  I walked to the center of the bridge, where I found the 17 mile marker sign.

Tower on the St. John's Bridge
That was my mental cue to start running, which I resisted vehemently.  When you start hurting, you set small goals for yourself:  start running when you pass the 17 mile marker, run to the end of the bridge, okay now run to the end of the next block, now to the end of the next block, now to that telephone pole, etc.  But my mind wasn’t having it.  They say the first half of a long run is all muscle and the second half is all mental.  This was definitely true in my case.

View from St. John's BridgeAnother view from St. John's Bridge
I’d recently read two great books by the amazing ultramarathoner, Dean Karnazes, “Ultramarathon Man: Confessions of an All Night Runner” and “50/50: Secrets I Learned Running 50 Marathons in 50 Days – and How You Can Achieve Super Endurance”.  One of the themes that came up over and over was how Karnazes was able to mentally muscle his way through the pain, to embrace the pain instead of turning from it, instead of avoiding it.  It was with these thoughts in my head that I tried to push through the pain, but I’d never run this far and never experienced this level of exhaustion before, so I didn’t have any experience in overcoming it.

Let this be a lesson to you, kids!  You’re less likely to push through something so physically challenging if you’ve never given yourself the opportunity to experience it before, to know what to expect, to develop coping strategies for it.  Not to say it can’t be done, but speaking honestly and with a deep sense of disappointment, I was unable to do this in my case.

That said, I did finish the marathon. By the time I came off the bridge, I knew my 5 hour finishing goal was blown.  I was already a mile behind where I should have been.  The rest of my run was punctuated by periods of uncomfortable power walking and painful running.  When I ran, every muscle in my legs and feet screamed.  My running buddy, Bob, had suggested that there would be plenty of food on the course and that I didn’t need to carry all my gear.  But I’d read the running program and I knew all we’d find along the run was gummy bears and pretzels.  I ran with two waste packs: one with my water bottle, a handful of easily accessible gels, and my inhaler; and the other smaller pack with replenishment gels as I ran out of them in the first pack.  This worked well until mile 17 when I started feeling hungry for more than just fuel gels.

For those who don’t know what fuel gels are, they are highly concentrated, very sweet packets of jelly-like liquid, packed with simple and complex sugars, caffeine, electrolytes and other fun stuff.  They come in all sorts of fruit, coffee, peanut butter, and chocolate flavors.  There are also chewable gels, which make for a nice change in variety.  What I realized midway through the run was I needed something more substantial, like actual nuts, or bread, or something.  I’ll have to figure that out for my next marathons in November.

In the last 8 miles of the run, eating became an unpleasant chore.  I grabbed gummy bears and pretzels with wanton abandonment and filled my water bottle as I passed aid stations.  Every step became painful.  I would shuffle past people, then start walking, and be passed by the people who I’d just passed.  Then I’d start running again—shuffling is a better word in this case—and pass them again.

In marathon and relay circuits, when you pass someone, it’s considered a ‘kill’.  If I run a race and pass 20 people on my way to the finish, I’ve made 20 kills.  If you’re passed, on the other hand, then you’ve been killed.  Needless to say, between miles 18 and 24, the whole lot of us were mutually assassinating each other over and over again.

Broadway Bridge from N Interstate Ave
The last couple of miles back into town were just an exercise in ignoring the painful screams for mercy by my body.  I walked, shuffled and ran as much as I could, ever forward to the end.  Midway through mile 24, we crossed the Broadway Bridge, heading back into downtown Portland.  As we crossed this bridge, I saw far to the north the St. John’s Bridge 7 or so miles away—the bridge I had just crossed what felt like hours ago.

Broadway Bridge
The music propelled me forward.  I’d prepared a special mix for this run, one composed of action movie music (Transformers, Battleship, The Borne Legacy, Total Recall, Inception, Hanna) and music from various James Bond movies.  I’m a huge Bond fan, and have been since my parents introduced me to the series as a child.  “Full Attack” from Battleship started out the race, a forceful, pounding, hammer.  After a couple hours of that, I had switched to techno music (Justice, Glitch Mob, Swedish House Music, Wolfgang Gartner, Skrillex, etc.)—driving, relentless beats meant to keep me focused.  I have no idea what I was listening to at the very end.

Portland Marathon Mix
However, layered on top of the music was the female computer voice of my RunKeeper app, interjecting itself every 3 minutes to tell me elapsed time, distance run and current speed.  This was what had been helping me adjust my pace in the first half of the run.  In the second half, it had just been helping to remind me how much I was failing at this marathon thing.

After the bridge, we ran down SW Broadway Ave., turned left on NW Couch St, then right (south) on NW Naito Pkwy. I knew I was close to the end, but it still seemed so far away.  I wanted to stop moving desperately.  NW Naito is along the river.  That morning, we’d run north on Naito, hitting mile marker 5 at about this point.  I walked quickly, trying to run a little as I could tolerate it.  I turned right on SW Salmon St.  I had been running and walking now for just over 6 hours and I was spent.  I walked quickly up the 3 blocks on Salmon, running in the last block as I realized the end was around the corner.  I turned left on SW 3rd Ave and ran as best I could the 1 or so blocks to the finish line.

Finally I could stop running, stop moving.  I felt like an old man, hobbled, bent over slightly, my shoulders, back, hips, legs and feet all destroyed.  A woman offered me a mylar blanket to keep me warm.  I’ve come to love these things.  I collect them now.  I don’t know what I intend to do with them—some as yet unimagined art project perhaps.  Maybe I’ll turn them into coasters (yes, you can actually turn your running bibs into coasters; kind of awesome, actually).  Another woman placed a finishers medal around my neck.

Finishers medal
This was what I had come here for: the finishers medal.  The medal was a thing of beauty, brilliant gold with an image in relief of a beautiful rose on one side and the Timerline Lodge on the other, which celebrated its 75th anniversary this year.  I love great design and Portland’s medals had been voted some of the best.  That’s what had drawn me to this marathon.

Actually, that’s not entirely accurate.  What had pushed me over the edge and forced me to commit to this marathon was my friend, Bob.  I’d harassed him at some point about me being able to run faster then he any time because I was younger than he was (I’m 46, 9 years younger than he is).  Never mind that he ran marathons all the time.  The wager: loser buys the winner their choice of a bottle of scotch.  I knew I’d be buying him his 15 year old Laphroaig.  We joked about this the whole drive down from Seattle.

Bob greeted me as I walked away from the medal woman.  He’d been there a while.  All sorts of food was waiting for me.  I suggested to Bob that I was going to sit down and he urged me not to, telling me I needed to keep moving, that sitting down would only lead to cramps.  So I reluctantly did as he suggested, walking over to a table, grabbing two pints of chocolate milk and chugging them down.  We wandered through the corral, grabbing more food.  We picked up our finishers shirts and other little trinkets the Portland Marathon gives to the finishers—a memorial coin, a pendant in the shape of the finishers medal, and a rose.  Portland is the Rose City.

Marathon swagShirt swag
We began walking back to the car, which was several blocks away.  It was during this walk I realized two things:  I had not anticipated being in so much pain and feeling so debilitated and destroyed—the walk back to the car seemed a heck of a lot farther away than the walk to the race that morning—and halfway to the parking garage I realized I had forgotten my bag of clothes I’d arranged to pick up at the end that had clean clothes.  The idea of turning around for this bag seemed unfathomable, so we walked to the car, then drove back and I hobbled my way to the bag pickup point.

Bob started driving back to Seattle.  After about 30 minutes, we stopped for gas.  I went inside to find the bathroom, then returned.  As I got in the car and we started driving away, I turned to Bob and said, “Is it normal to have blood in your urine?”  “No,” he laughed, “I don’t think it is.”  (Runners are weird.  We laugh as the most inappropriate things.  “Hey, I think I have shin splints.”  “Ha ha, so you do, that’s hilarious.”)  So I pulled out my iPhone and went to the Internets.  Turns out this is not an uncommon condition and comes from all the running and bouncing causing bruising to the bladder, making it bleed a little.  From what I could read, the blood should all disappear by the next day or so.  And it did.

I would do this all again.  And I plan to next month.  In November, I run the US Half Marathon in San Francisco on the 4th, the Nashville Ragnar Relay (a 12-person, 200 mile relay race) from Chattanooga to Nashville on the 9th and 10th, the Route 66 Marathon on the 18th, and the Seattle Marathon on the 25th.  I also plan to run the 2013 Portland Marathon, this time under 5 hours.

It sounds insane and it is, but as someone once said, “Life is short.  Running makes it feel longer.”

Happy running!

--Sinjin

(c) 2012, St. John (Sinjin) A. Maloney

Monday, September 5, 2011

The Atomic Alphabet Logo

Greetings Programs!

My Atomic Alphabet Blog (and site, still under construction) has a logo.  I designed this quite a while ago, but decided to debut this now.  Atomic Alphabet is a fusion of analytics and art. 

The analytics side includes web and social media analytics, surveys, usability, UX, heuristics, campaign analytics and lots more.  You can see my LinkedIn profile here if you're interested in my professional background and interests.

The art side includes painting, printing, graphic design, photography, poetry and song (and whatever else interests me).  You will find lots more art related stuff in this blog.

Atomic Alphabet: 'A' is for Analytics.  'A' is for Art.




More to come on Atomic Alphabet.

Peace out.
Sinjin Maloney

Sunday, September 4, 2011

"Love In Widescreen 3" - A Painting In Progress

Greetings and Salutations!

I've done more work on my Love In Widescreen 3 painting.  Here are a couple of images.  There are about 3 more passes left before completion.  Again, this is a 12" x 36" canvas with spray paint.

Here's the working template I designed in Adobe Illustrator.

Here's the first pass.


Here's the second pass. 


And the third pass from last night.

The next pass will cover the rest of the canvas entirely.  Then we lay the icon image over it.  Then the text LOVE. 

You can see the series as it progresses through photos here.

We now return you to your regularly scheduled day.

Peace out.
Sinjin

Sunday, August 14, 2011

Love and Other Paintings

Greetings, Citizen!

Okay, it's been awhile.  My apologies.  A few things are in order.  Older links to photos in this blog point to Flickr, which I don't use anymore, so they are broken.  I will fix that.  Thank you for your patience.

Right. I've been working on several paintings, plus I have finished images of paintings previously mentioned in this blog.  In order of newest to oldest paintings:

Love in Widescreen 3.  Based on my Green Lantern: Blackest Night Icon series (see here).  This is the third of three paintings I'm making in this series.  I'm working on the other two slowly, but this is #3, "Love In Widescreen 3", 12" x 36", spray paint on canvas.  See the third painting here as it develops. 

Love in Widescreen III: The original design
Love in Widescreen III: In development

I may or may not have 3 rings around the Love icon.  The Green Lantern icons all only have one circle. 

Fear Hello Kitty.  I made three paintings as part of a series.
These paintings were inspired from a Shepard Fairey collage piece he did of Hello Kitty for Sanrio's 50th Anniversary.

Hello Kitty, Shepard Fairey, 2010
I didn't want to pay for a print of it, which wasn't cheap on the secondary market. So I decided to make my own. One painting, Episode I, turned into three.  I threw in the Star Wars references later. Anyway, I combined the Hello Kitty idea with the Yellow Lantern character concept created in DC Comic's Green Lantern: Blackest Night series (technically Yellow Lanterns were invented many decades ago, so I'm really talking about the current interpretation of the character).

Fear Hello Kitty: Episode I: The Phantom Kitty
For Episode I, I created all the stencils--the Hello Kitty design was based off of Fairey's template (but my own take on it).  I added a dynamic background and painted everything with spray paint.  I was unhappy with the icons on the chest and hair barrette, so I made a rubber version and spray painted those.  The title for this painting is "FEAR THE KITTY".  The last two words were too small and didn't work, so I again rubberized the letters and painted them.  I don't like it, but it is what it is.  So, first version was so-so.

Fear Hello Kitty: Episode II: Attack of the Kitties
Episode II was made with acrylic and brush.  The yellow parts of the costume, the barrette icon and the beams of light are all done with metallic yellow paint (the beams also have white metallic paint).  I just used the word FEAR.  Works much better, I think. I really like this painting.

The original concept for Episode III
Fear Hello Kitty: Episode III: Revenge of the Kitties
Episode III was completely different.  Taking inspiration from painter Wayne White, who takes old mass produced canvases and paints text on top of them to humorous effect, I found a wretched painting at Goodwill for $10 or something.  The frame was falling apart. It was old, dirty and even had stains from the frame.  I painted the word FEAR in the back of the scene, and placed little Ms. Hello Kitty, Yellow Lantern, in the foreground.  I like this one a lot.  And I shall do more paintings in this style, but not immediately.  Metallic paint was used similarly as it was in Episode II.  The first image is the concept I laid over the ugly painting in Illustrator.  The second image is with the frame loosely sitting on top of the finished painting.  Still need to get the frame put back together.  The frame is really what makes this, I think. 

Made In China. I made three versions of this painting too.  But, one is a painting, and two are prints.  You can read my last post about it with the unfinished pictures of it here

The original design
Above is the original design.  A political protest painting, objecting to the fact that most of the stuff we use in the U.S. is made in China.  In retrospect, the scythe and hammer are Russian symbols, but close enough.  It's all communism (I'm probably over-generalizing, so please forgive me).  Anyway, I tried to capture the colors of many of the old Chinese propaganda posters I could find online.

Made in China: Front view
Made In China: Side view

The actual painting turned out better than I could have hoped for.  I love the colors, the 3D effect, the design.  The letters and main hammer and scythe are painted foamcore.  The stars are rubber.  The foamcore is slightly thicker than the rubber, so it creates a lot of layers.  I love it.  This was 30" x 30", acrylic and mixed media on canvas.

Made In China: Photo lithography

This is a photo lithograph of the design made in a printing class I took.  Very different and very cool.
  
Made In China: Screen print
And this is a screen print I made with the design.  I made a second variation, but can't find a picture of it.  I'll show that when I find a picture.  

Hate Monger.  Finally, this is a finished image of Hate Monger.

Hate Monger: Original design
Hate Monger
The first image is the original design I created in Illustrator, something I do with most of my paintings.  The second image is the final version.  This was 30" x 30", spray paint on board.
As I explain elsewhere, this painting is a political protest painting decrying the hatred and extremism that blew up after President Obama was elected.  I am happy to admit I'm a flaming liberal and proud Democrat.  We must all get along.  I really do dislike the current political climate.  It's very sad...and dangerous for the country.  I worry about our economy.  

That is all for now.  More coming soon.  

Cheers,
Sinjin













Friday, July 16, 2010

We Deny What We Deserve

Greetings!  More to come soon in the form of pictures of recent art projects (there are many).  I'm a slacker and haven't posted in some time.

In the meantime, I have written numerous poems and some songs since I was 17. This is a song I wrote last year. The lyrics are below, but you can actually listen to me sing it, to get the melody--if you're brave enough. It's a little nerve racking to put oneself out there like this, but life is short and, hell, who wants to spend their life afraid of a little rejection? BRING IT ON! Well, no, I'm kidding about the last part, but yes, one must take some risks. So without further digressions, here is my song:


When I look around through the windscreen
And I see the lights come up
And the people that all pass before me
Are looking down into their coffee cups

It makes me sad to consider
The truth of what I observe
That we fill ourselves with darkness
That we deny what we deserve

And the rain sweeps in
Wraps around thick skins
As we deny what we deserve
AS we deny what we deserve

And the years flow by
As we fill ourselves with lies
And we deny what we deserve
And we deny what we deserve


I sit alone in a forest
The only sound is my breath
And the birds and branches above me
And the sounds of life and death

And my mind wanders around me
As the sun moves through the sky
And the shadows descend upon me
And I let my spirit fly

And the last thing that I consider
Before i go into trance
Is that life is sweet mystery
The menagerie and the dance.

And all we have to do
Is love and renew
And embrace what we deserve
And embrace what we deserve

And the world will turn
And the sun will burn
As we embrace what we deserve
As we embrace what we deserve

Copyright 2009 St. John (Sinjin) A. Maloney

Monday, April 26, 2010

Hate Monger - 2010 part 8

Well, let's cut to the chase.  Here is where we stand with the painting.  I'm not happy with the cross.  It bled (no joke intended) under the mask I created, so it will require touch-up. 


However, in the meantime, I added the final element, the text HATE MONGER, which is of course the title of the painting.  And of course, the text finally provides the true meaning of all of the hateful imagery on the painting. 


After some thought, I decided to change the text color from blue to black.  I added a brighter red splatter on it.  We'll see if looks okay.  If not, I'll change it to something I like.  Of course, I will eventually do this all over again using paper and screen printing probably.


Here's a close up.  More to come on what it looks like with the mask removed.


 Prior to the mask, here's where we left off in the last post.

 

How did we get there?  We added this shape:


As a mask:


Then painted over that.  Looks pretty awesome, if you want me opinion (you don't have a choice, after all; it's my blog).


Then I added the stripes for the counter patter.


Brief intermission.  My faithful companion while I tape all this up. 


We match up the pattern with the original intention. 


And get more awesomeness.


Remove the tape and you get this.


Remove more tape and you get this.


And finally remove all the tape and you get this.


And here's a little detail.


You can find more pictures here on my Flickr page.  And for full context of what this painting is all about, go to the first blog on this painting.

So, final steps are, remove the tape for the text HATE MONGER, and touch up the cross where the paint bled (very frustrating; lesson:  don't overdo it with the spray paint).

I was walking my dog for a walk the other day and got the idea of doing a PEACE MONGER painting, but need to come up with a good idea around that if I do.  Hard to imagine a Democratic donkey in a meditative lotus position or something--which sounds ludicrous.  Also, it's not a Democrat-Republican issue, though you'd think it given the current Senete.  Not sure I could come up with something strong enough to stand up to this painting, as HATE MONGER is fairly bold. 

This was a pain to create, but fun.  I put down the first mask, seen at the top, painted, then laid down the rays as the second mask.  Then took everything off.  It came out better than I could have hoped for.

My next painting using this style, I think, will be a birthday present for my father using the San Jose Sharks shark logo.  You can actually see the beginnings of it in the first picture in this blog (it's black and teal).  Of course, I need to finish Made In China, which is almost done too.  I'll work on that this coming weekend.

Cheers,
Sinjin

Monday, April 12, 2010

Hate Monger - 2010 part 7

Greetings.  I've made some progress on my Hate Monger painting.  We (meaning me) have completely finished the background.  The last part to add was the stars on the American swastikas.  


And here's what the painting looks like as a whole with the stars.


Now that the background is complete, I cut out the Republican Cthulthu elephant (representing U.S. Congressional Republican obstructionism--the ugly side of the Republican party) as a template for the next step.  Here's what that looks like over the painting.


Here is the circle part with the cross (representing religious extremism).  You will note that there are lines radiating out from the cross.  This will be used as a guide for the alternating bands that will be revealed in a later posting.


So what you do is, you take this gigantic template and you create a mask using non-stick tape, one section at a time.  I place several strips of tape on my cutting board.  Then lift part of the template up and stick my cutting board under it and on top of the painting.  And I trace the template.  Then, because I ran out of smooth non-stick tape, I used additional skinny strips of smooth tape to attempt to prevent the blue tape from lifting up in places, allowing the paint to bleed.  Can't have that.  Then I cut along the lines I've traced with an X-acto blade. Here's the first template I cut out.  This is the part I did not use.  Looks pretty cool.


And this is the part I did use.


You do this for the whole damn thing and two days later (What?  I've got a job.  Whatever.) you get this.


The next step here is create a radial blend from where the circle and cross were.  It will radiate out with white from the center, turning to a bright red, turning to a dark red, turning to a black red.  Alternating rays will be sprayed on top of that using the reverse order of color.  I am hoping it looks cool.  Then I add the words HATE MONGER on top of everything.  In the original design, the letters are dark blue, but I may paint them all white.  We shall see.

I will also say, I am very sad that so much of this painting will be covered with the elephant. I could have saved some time, I suppose, by not painting in those areas, but it seems like it would take more, not less time. I love the blue speckled cross with the white speckled stars and the orange and yellow speckled background. And then I remember it's a Confederate flag (ugh) and I think, I'll make something else, something positive and uplifting and celebrating life, using this technique. 

Hate the haters, people.  That's what this is all about.  Don't tolerate intolerance!

If this post is your first exposure to this series, I would suggest reading part 1 to get a full understanding of what this painting is protesting (so that if you are truly offended, at least you're offended and well informed of my intentions).  If you'd like to see more pictures of the process, you can visit my Flickr page for this project.

Cheers,
Sinjin